Casting Standout: 'Midnight in Paris'

Juliet Taylor remains casting movies for Woodsy Allen since the early seventies, yet she still finds a distinctive kind of thrill in beginning around the new work with the celebrated auteur. Inside the situation of "Evening amount of time in Paris," Allen's time-hopping love letter for the Capital of scotland - Lights, Taylor immediately recognized it might be another type of work with the filmmaker. "I thought it had been unique, certainly,Inch she states. "It absolutely was thrilling it's a movie he's been trying to create any handful of many was very thinking of doing, and all of the sun and rain fell together perfectly this time around around."The firstand possibly greatestchallenge was finding an actress who could properly inhabit the central role of mild-mannered film author Gil. Taylor states she and Allen spoken for just about any month about many possible stars and angles for your part. "We really preferred to create a bad tone in the film in the particular way," she recalls. "Sometimes people frequently think that a guys protagonists in Woody's movies are very much Woody's voice it might be complicated for your actor. In my opinion what labored so fantastically with Owen Wilson is always that Owen Wilson has their very own voice, and also the own voice will be a interesting approach to showing Woody's ideas and feelings and achieving underneath his humor. He is not conventional just what a Woodsy guy might be.InchFortunately, Wilson responded immediately for the scripteven though he'd a small time period to determine it. Delivering the script "is certainly a bit of the problem with Woodsy," states Taylor. "Basically, someone required to drive it to Owen Wilson's house and obtain it a few several hours later."Next initial challenge, casting Wilson's leading ladiesRachel McAdams as prickly fiance Inez and Marion Cotillard as sultry muse Adrianawas a no-brainer. "Woodsy has always aspired to make use of Rachel McAdams which is never worked out," Taylor states. "After which it clearly Marion Cotillard was type of our well suited for your behalf.InchAn additional massive casting task soon presented itself, however: inhabiting the vibrant 20's Paris that Wilson finds themselves moved featuring numerous well-known historic figures. "It absolutely was a massive research undertaking," states Taylor. "Everything must be accomplished precisely for the year. You possessed to know what age, say, Ernest Hemingway was because year. It absolutely was done quite completely with photographs and possibly with old footage."Though Taylor wasn't always trying to find well-known faces, certain A-list stars were apparent options, for instance Kathy Bates as Gertrude Stein or Adrien Brody as Salvador Dal. "You can not not consider him for the,Inch the Compact disk states of Brody.In some instances, less-established artists shown being perfect fits. Taylor spotted Corey Stoll, who cuts a captivating, scene-stealing figure as Hemingway, in the Broadway revival of "A View Within the Bridge" opposite Liev Schreiber and Scarlett Johansson. "He carried out their Italian immigrant cousin who involves the united states . States, which is a really difficult part, 'cause it is really an old-fashioned, kind of cumbersome role," Taylor states. "He am fantastic, which he just introduced it to existence. Woodsy visited notice too, after which it [Stoll] showed up and study, which he just knocked us out. That was a pleasurable find."Taylor happily notes that Stoll and Tom Hiddleston, who was simply cast as F. Scott Fitzgerald, look at greater-profile roles: Stoll one of the lead detectives in "Law & Order: LA" and Hiddleston as vengeful Loki in "Thor" as well as the approaching "The Avengers."In the world of present-day Paris, Taylor cast beloved character players Mimi Kennedy and Kurt Bigger as Inez's very American parents. "I've known all of them for any significant very very long time," the Compact disk states in the stars. "I understood Mimi Kennedy in the past when she's at NY, then when I saw her in [the film 'In the Loop'], I believed, 'Oh, my gosh, she's designed to become this interesting persona.' Each of them felt so real. They didn't feel actory."The casting team rounded the ensemble by getting a fascinating combination of well-knowns (Michael Sheen just like a know-it-all friend), up-and-comers ("Inglourious Basterds" supporting player Jum Seydoux just like a charming antiques dealer), and offbeat options (French first lady and recording star Carla Bruni just like a museum guide) to supply the entire film a completely new, unique feel.States Taylor, "In the casting director's perspective, it absolutely was very satisfying because we used a great combination of new people and individuals that are very-known but i did so items that people haven't seen them do before. It absolutely was a pleasurable balance."Casting Company company directors: Juliet Taylor, Patricia DiCerto, and Stphane Foenkinos Director: Woodsy AllenWriter: Woodsy AllenStarring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Adrien Brody, Michael Sheen, Carla Bruni, Kurt Bigger, Mimi Kennedy, Corey StollThe Pitch: A young author (Wilson) re-examines the health of his existence when he's moved in time to the 20's while travelling inside the most romantic city in the world: Paris, France. To determine Back Stage's complete coverage of Honours Season, please get our FREE SAG Nomination Committee Guide. Or follow our daily coverage with Back Stage's new online Honours Season section.

Hey Charlie, look who's 'winning' now

'Two and a Half Men' has held up well in its post-Charlie transition.Before his big mouth and licentious ways cost Charlie Sheen his job on "Two and a Half Men," he boasted about converting the writers' tin cans into comedy gold. If so, he's hardly the only actor to apparently possess such Rumplestiltskin-like magic.There's a widely held perception "Men" has disappointed creatively with Ashton Kutcher sliding into Sheen's shoes (in more ways than one, perhaps). In a scorecard of fall shows that underwent major cast changes, a NY Times critic gave the sitcom a "D" -- the lowest grade among five series featured, including "The Office" and "CSI." Every week more emails drift in from viewers insisting they hate the revised version and Kutcher and won't continue watching.By the measures that truly count, though, 10 weeks into what everyone perceived as a crapshoot, the new-look "Men" appears to be, to borrow a favorite Sheen phrase, "winning." And in an entertainment year with little cause to give thanks, viewed through the prism of a business that often rewards or turns a blind eye toward bad behavior, it just might be the feel-good story of the season.Even tossing out the inflated two-part premiere, tune-in for the series has consistently surpassed the corresponding weeks last year, with the overall average up more than 10% in viewers and nearly 20% in the key demo of adults 18-49.Moreover, with the considerably younger and Twitter-friendly Kutcher joining what's now even more of an ensemble, the median age of "Men" viewers has not surprisingly dropped by a few years, down to about 48. Although that could owe something to the youthful skew of the CBS comedies preceding it, it's nevertheless an accomplishment as the networks generally keep graying.At his Comedy Central roast, Sheen suggested he got fired because "I told my boss to fuck off." That conveniently ignores a list of PR nightmares due to proven and alleged transgressions -- mostly involving women -- too long to mention, as well as other complications related to his personal excesses. If Sheen was the equivalent of Dorian Gray for most of the show's run, that magic began to fade, and his lifestyle started showing up in his haggard appearance.Sheen obviously didn't endear himself to his heretofore patient bosses by publicly taunting them -- series co-creator Chuck Lorre, CBS and Warner Bros. -- and one can argue the wrong straws helped break the camel's back. Even so, ousting him represented a sizable risk.For CBS, the gamble went beyond just "Men." The series is the linchpin of its Monday lineup. Had the show cratered, it would have likely dragged down the four programs surrounding it.Normally in such standoffs, after the finger-pointing and harshly worded letters from lawyers, the parties would find a way to make up. When there's this much money at stake, change is feared, and paying big salaries to miserable people becomes just another psychic and spiritual cost of doing business.At last week's Hollywood Radio and Television Society luncheon, CBS Corp. CEO Leslie Moonves resisted the temptation to gloat, but he did say, "With these numbers, I'm hoping this show will last for many, many years." Given the potential for Sheen flaming out, that would almost certainly provide more mileage than "Men" looked to have in its tank.As for Sheen, whatever happens with his planned FX show, he has gone from highly paid TV star to carnival sideshow, perhaps irrevocably. Meanwhile, everyone associated with "Men" can spend less time dreading phone calls that begin "Did you hear what Charlie did?"So if there's an underlying lesson in "Two and a Half Men," it's that you needn't always cling desperately to the status quo. When somebody's really acting like a jerk, under the right circumstances it's possible to roll the dice and reload. Assuming the ratings hold, that ought to put a tiny shiver up the spine of divas and prima donnas everywhere.Of course, new players can amass their own baggage -- as Kutcher has already demonstrated -- and success has a way of bringing out the worst in people. For now, though, there's reason to be thankful about who's "winning." Because for once, protecting a golden goose didn't mean settling for a turkey. Contact Brian Lowry at brian.lowry@variety.com

Bruce Rosenblum elected TV Academy chairman

Rosenblum Bruce Rosenblum has been elected chairman of the Academy of Television Arts & Sciences, defeating vice chairman Nancy Bradley Wiard in a vote by the board of governors Wednesday night. As president of the Warner Bros. Television Group, Rosenblum becomes the highest-ranking exec to head the organization that presides over the nighttime Emmy Awards since then-Walt Disney Studios chief Richard Frank completed his stint in the mid-1990s. Although the race looked like a mismatch -- Wiard is a freelance producer and consultant who represents the academy's daytime branch, having left "The Young and the Restless" eight years ago -- her insider status as the No. 2 elected official to outgoing chairman John Shaffner kept the outcome in doubt. Perhaps the most pressing challenge Rosenblum will face at the Acad will be the networks' desire to streamline the Primetime Emmy ceremony and enhance its entertainment quotient by reducing the number of on-air awards. Past attempts have yielded strong pushback from key constituencies -- particularly the guilds representing writers and directors, some of whose categories would be likely casualties. In an interview, Rosenblum downplayed the significance of possible revisions to the Emmys, noting that changes to the broadcast "have been contemplated for years" and will eventually be determined via a consensus of the board. In terms of the leadership, "I don't think the primary role is limited to the primetime Emmys," he told Variety. Where he hopes to be proactive, Rosenblum added, is by "bringing a renewed energy to the organization" and "finding ways to make the academy more relevant to members beyond September." In a letter to board members he reiterated during the candidates' brief addresses on Wednesday, Rosenblum cited a need to heighten the academy's relevance with members and visibility, as well as increase revenue. Other priorities include focusing on diversity and the issue of so-called runaway production, which has a significant impact on the local community, he said. Given the stark choice the election presented, the TV academy appears to have dodged a bullet, at least in terms of its perception among the industry's upper echelons. One exec who asked to remain anonymous said it would have been an embarrassment for the board to choose Wiard -- even with her years of service to the organization -- over a power player at the industry's most prolific studio. Wiard stated prior to the election that she is familiar with various industry leaders from her years on the board and planned to solicit their participation in the group. But that's hardly the same as someone who interacts with them on a daily basis. While the position is voluntary, overseeing the academy will up the public profile of Rosenblum, who is part of a three-member office of the president at Warner Bros. along with film chief Jeff Robinov and home-entertainment prez Kevin Tsujihara. In other races, producer Kevin Hamburger was elected vice chairman, Frank Scherma (commercials peer group) won as second vice chair, Marcelino Ford (interactive) was reelected as secretary, and production execs rep Susan Nessanbaum-Goldberg topped four rivals to become treasurer. Incumbent L.A.-area representative Joetta Di Bella ran unopposed. The new officers assume their posts in January.Despite 16,000 members, only the board consisting of two reps from each of 28 peer branches and 13-member executive committee participate in electing TV academy officers. Contact Brian Lowry at brian.lowry@variety.com

Being Flynn Trailer: Robert De Niro Cordially Invites You to Suck City

Poet/playwright Nick Flynn’s memoir Another Bullshit Night in Suck City is right for a movie adaptation: Its two main characters, Flynn and his father, are deep, articulate characters with a lot of angst to go around. In the first trailer for Focus’s adaptation Being Flynn, the younger Flynn (Paul Dano) analyzes the value of reuniting with his estranged father (Robert De Niro). Clip after the jump. Dano and De Niro seem perfect in their perturbed roles, but I’m particularly psyched for Julianne Moore, who appears to give a performance as august and understated as ever, and Olivia Thirlby, who we haven’t seen enough of since Juno. Since it’s slated to come out in spring 2012, we’ll have one fine-looking adult film to anticipate in the post-Oscar tundra. Remember May of 2010 when the only great movie in a three-month period was Nicole Holofcener’s Please Give? I’m hoping Being Flynn marks a similar oasis. Verdict: Happily booking a one-way ticket to Suck City.

MSNBC To Bow Alex Wagner On Nov. 14

MSNBC Prepping Weekday Political Talk Show With Alex Wagner NY Nov. 11, 2011 MSNBCs newest daytime show, NOW with Alex Wagner, will debut on Monday, November 14 at noon ET. The show is hosted by Alex Wagner and will feature regular contributors and panelists to provide insight and perspective, giving viewers a broad understanding of whats shaping the political and cultural landscape. NOW with Alex Wagner will go beyond the headlines to examine the forces driving the days stories in politics, news and culture. Guests and panelists for Monday, Nov. 14 include Dan Rather of HDNets Dan Rather Reports, Maggie Haberman of Politico, John Heilemann of NY Magazine, and MSNBCs Rev. Al Sharpton.

New Haywire Trailer Kicks In

Gina Carano Vs The WorldDon't you just hate it when you've been out for a classy night of cocktails and dancing, and then your partner turns out to be double crossing you, leading to a knock-down, drag-out clash that sees you beating the ever-living crap out of each other? What? Never happened to you? From the evidence of this, it happens to CIA-trained assassin Mallory Kane (Gina Carano) far too much for comfort. See the results for yourself in the new trailer for Haywire over at EW.Steven Soderbergh is the man behind this ace-looking action thriller, which finds Carano's hit girl suddenly having to deal with her former handlers turning on her. Out on her own, she'll have to rely on her wits, her speed and her furious fighting skills to survive.Building a film around an MMA fighter who has never acted before might sound like a risky move, but it's the sort of gutsy idea Soderbergh thrives on. Plus, he's surrounded her with talent such as Ewan McGregor, Michael Douglas, Antonio Banderas, Bill Paxton, Channing Tatum and Michael Fassbender, who you can see getting smacked around in those early scenes.And the movie is already drawing some healthy buzz in the US following a "stealth" screening at the AFI. Watch the trailer and tell us you don't fall a little bit in love with/in fear of Carano.Haywire is out on January 20.

The Duggars Expecting 20th Child

First Published: November 8, 2011 9:48 AM EST Credit: TLC Caption Michelle and Jim Bob DuggarLOS ANGELES, Calif. -- The Duggars have their 20th child on the way! 19 Kids and Counting stars Michelle and Jim Bob will welcome their next child in the spring, People reported. We are so excited, the Duggar mother, 45, who is three-and-a-half months along, told the mag. I feel good. I am past the sickness stage now. The couples most recent child, Josie, born on Dec. 10, 2009, is doing well after being born premature at just 25 weeks. It is a miracle. Josie is the most energetic, busy little almost-2-year-old, Michelle told the mag. She is short, and yet she can keep up with the big girls and she thinks she is just as big as they are. We are amazed at what she can do. According to dad Jim Bob, his wife is doing better than ever. Michelle is probably in better health now than she was 10 years ago, the 46-year-old said. She has been getting on an elliptical for about an hour a day and is very careful of what she eats. During her last pregnancy, the Duggar mother was diagnosed with preeclampsia and is now under the care of a high-risk pregnancy doctor. She is eating very healthy with plenty of protein, vegetables and skipping the caffeine along with getting plenty of rest. We are just going to do the best we can, she explained. I am taking a nap every day, and we are just taking good care. Jim Bob added, If we had lived by fear after Michelle had preeclampsia after her second delivery, we would have missed out on all our wonderful blessings. So many of her pregnancies have gone extremely well. One aspect of their latest pregnancy that will be different is Michelles first scheduled C-section. Ive never had a planned C-section, Michelle told the mag. So this one will be different. In addition to their youngest daughter Josie, the couple is also parents to Joshua, 23 (who has two children, Mackynzie, 2 and Michael, 4 months, with wife Anna, 23), twins Jana and John-David, 21; Jill, 20; Jessa, 19; Jinger, 17; Joseph, 16; Josiah, 15; Joy-Anna, 14; twins Jedidiah and Jeremiah, 12; Jason, 11; James, 10; Justin, 8; Jackson, 7; Johanna, 6; Jennifer, 4; and Jordyn, 3. The season finale of 19 Kids and Counting airs tonight at 9 PM on TLC. Copyright 2011 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Management Co. Quality Media Employs Two (Exclusive)

Quality Media Co., the management-production outfit run by Jack Heller and Dallas Sonnier, is going through an expansion, with manager Adam Simpson-Marshall and production executive Morgan Whitened joining the organization fold.our editor recommendsCaliber Media Partners With VFX House the Molecule (exclusive) Simpson-Marshall, who spent the final six years at Energy Entertainment, brings with him authors Ryan Condal (Paradise Lost) and T.S. Nowlin (Order from the Seven), visual effects artist-switched-director Henry Hobson (Maggie), and authors Andrea McCloud (I Saw You), Mike Emanuel and Willie Block (The Hunchback of Notre Dame), actress Kate French (One Tree Hill), amongst others. Simpson-Marshall joins current Quality managers Jared Schwartz, Roya Weiner and Julian Rosenberg. The organization client list includes Shawn Christensen (Abduction), Leslye Headland (About Last Evening), Todd Lincoln subsequently(The Apparition), and Olatunde Osunsanmi (The 4th Kind). Whitened, formerly at twentieth century Fox, where she offered like a coordinator within the feature production division, is going to be Quality's new director of production and development, working alongside Heller to produce and convey feature and tv projects. Whitened was around the production team that done X-Males: Top Class, Evening in the Museum, Easy and also the A-Team. Around the production side, Quality lately offered its first feature Enter Nowhere to Lionsgate/Grindstone and it is in publish on Jessica Goldberg's Refuge starring Krysten Ritter and John Geraghty and Static starring Milo Ventimiglia and Sara Paxton. Email: Borys.Package@thr.com Twitter: @Borys_Package Related Subjects

Box Office: Puss in Boots Stomps on Tower Heist, Harold & Kumar

Ben Stiller and Eddie Murphy Puss in Boots defended its spot atop the box office and held off new releases Tower Heist and A Very Harold & Kumar 3D Christmas, Box Office Mojo reports. In its second week of release, Puss in Boots grossed an estimated $33.04 million. The Shrek spin-off easily beat Tower Heist which opened to $25.1 million to take second place. The third Harold & Kumar film followed at No. 3 with $13.07 million. Box office: Puss in Boots claws its way to the top Even after Halloween, Paranormal Activity 3 still drummed up $8.53 million to finish fourth. In Time completed the top 5 with $7.7 million. At No. 6, Footloose drew $4.55 million. Real Steel took seventh place with $3.4 million. Rounding out the top 10: The Rum Diary (No. 8, $2.99 million), The Ides of March (No. 9, $2 million) and Moneyball (No. 10, $1.9 million).

AFM: Myriad Acquires Mike Figgis-Directed Seconds Of Delight

Myriad Pictures has acquired worldwide rights outdoors the U.K. for your Neil LaBute-scripted Seconds of delight. Mike Figgis will direct a film that will star Matt Dillon, Julia Stiles, Brendan Fraser, Kristin Scott Thomas and Christina Hendricks. Seconds of delight explores numerous intimate and psychologically charged occasions that occur among just a little group traveling together around the trans-Atlantic flight from Chicago to London. LaBute modified it from his novel, which weaves together the connected, yet separate tales, in the six couples looking for people moments which will make existence worth living. Seconds of delight can be a output of Scotlands broadcasting giant, STV. Margaret Enefer, STV Productions Mind of Drama, Bill Shapter and Neil LaBute will be the producers. Were delighted being coping with Myriad relating to this fantastic film,” Enefer mentioned. “Neil has written an incredibly candid, blazingly witty script. Everyone knows Mike Figgis makes it shine inside the most sensitive and imaginative way possible. Its a thrill to own them dealing with this excellent cast. Mentioned Myriad Pictures Boss Kirk DAmico: We immediately taken proper care of immediately Neil’s script, that's razor-sharp, so informative and honest, in regards to the real challenges and lure people face each day. Mike Figgis is the greatest director to produce this script to existence, particularly with this particular amazing cast.”

Univision Communications Third-Quarter Financials Improve

The spanish language-language media giant Univision Communications on Friday reported more powerful third-quarter financials as the conclusion increased because of a small revenue gain and a variety of special factors. The organization, brought by leader and Boss Randy Falco and chairman Haim Saban, published an every three months profit of $290 million, in comparison to some year-ago profit of $44.a million. Greater revenue growth, reduced amortization of deferred financing costs and the possible lack of a $1.8 million investment loss along with a $two million impairment loss that were a continue the entire year-ago period assisted the conclusion, despite the fact that restructuring, severance and related charges rose from $2.a million to $4.9 million. Modified operating earnings before depreciation and amortization, one other way of calculating profitability, elevated 1.9 % to $236.two million. Revenue rose 1.7 percent to $584.six million with slight gains in TV, radio and interactive media revenue. "Univision's solid third quarter results reflect the ongoing strength in our multi-platform qualities, including our flagship television network, which beat ABC, CBS, NBC and FOX to position number 1 in primetime among grown ups 18-34 for the whole third quarter," stated Falco. "Additionally, we've been controlling expenses inside a challenging macroeconomic atmosphere and benefiting around the groundswell of marketer demand following a 2010 Census." Searching ahead, the Boss stated Univision is centered on such new revenue streams as retransmission consent and digital distribution deals. "Once we transfer to the 4th quarter and 2012, we're centered on evolving our momentum with retransmission consent discussions and also the growth of our multi-platform content money making strategy," he stated."Our recent agreement with leading over-the-top distributor Hulu is only the to begin many steps we're taking to make sure that we anticipate the ever-altering media consumption habits of Hispanic customers and seed the floor for future revenue growth." Email: Georg.Szalai@thr.com Twitter: @georgszalai Related Subjects Univision Communications Earnings

The Key Circle's Britt Robertson Dishes around the Mystery of John Blackwell

Chris Zylka, Britt Robertson The Key Circle's Cassie is walking around the evil side. As Cassie (Britt Robertson) starts to uncover much more about who the mysterious "J.B." is, she and also the coven visit the lake house looking for Cassie's grandmother. TVGuide.com was on looking for the circle's visit to the home, with a rousing bet on truth or dare - together with a certain smooch you might have already spied within the promotions. Their journey isn't all fun and games, though, as Robertson states this episode will require a dark turn. (And everyone knows what went down before The Key Circle required a dark turn. RIP, Nick!) Obtain the scoop around the lake house trip, who John Blackwell is really and why Cassie is "blinded" if this involves Mike (Chris Zylka). The Key Circle boss dissects Nick's dying and also the coven's possible alternative Once we saw in last week's episode, Cassie has dark miracle in her own. What's going to we have seen as she struggles with this? Britt Robertson: This dark miracle factor will hang in there for a while, and also the audience will see her cope with it increasingly more. Particularly with this next episode, you'll be able to observe how strong it's and just how effective it truly is. She's this dark miracle that they does not know where it originated from, however the audience can get to explore it and where it really did originate from. It will be fun to look at. The show has offered up little hints on in which the dark miracle originated from as the title John Blackwell. What else could you inform us of her look for who John Blackwell is and her link with him? Robertson: Many people determine if they have browse the books, John Blackwell, "J.B," is her father. [Editor's Note: The smoothness within the books was named Black John.] The only real information that they has about him here is that he's dead. She'll try to visit her grandmother to find it, that is a legendary area of the next episode. Her grandmother visited the river house and today Cassie has all of this new information. The witch predators came after them, so her stomach instinct is to try and find her grandmother to determine what she is aware of this. So that they visit the lake house after which, obviously, creepy, frightening unexpected things happen there. This is an ongoing look for her identity. Cassie will be trying to puzzle out where she originated from, who she's, who her mother was, who her father is and where this dark miracle is originating from. The Key Circle Exclusive: Hunter's Stepfanie Kramer to experience creepy Charles' mother If she's getting her dark miracle from John Blackwell, is he going to be behind all of the bad things happening in Chance Harbor? Robertson: It is possible. I do not know the response to that question, but it is certainly possible. I believe all signs are going to him not the finest guy that ever walked. Between Amelia being the great side of her, John Blackwell is most likely the negative side of her. What else could you inform us relating to this week's visit to the river house? Robertson: They visit the lake house to try and find Cassie's grandmother because she has not came back in the lake house yet and Cassie's worried. There is a huge storm that easily wiped everything out, there is no one there plus they finish up determining to remain the evening. There's some tension between Faye (Phoebe Tonkin) and Cassie, and there is the strain between Adam (Thomas Dekker) and Diana (Shelley Hennig). There's tension between Mike, Faye and Cassie, it will get just a little tense. [Laughs] Funnily enough, the reality or dare may be the least heavy area of the episode. It will get really dark and creepy and it is among individuals episodes that can take a turn for that frightening. You'll be able to see much more of Faye's character within this episode. It's kind of her showcase episode. You receive see her inside a different dynamic as well as in another light. The Key Circle Love Triangular Scoop: Diana is losing belief! So how exactly does Faye experience Cassie getting these dark forces? Robertson: That's another factor that we are certainly referring to. Faye happens to be the fireplace starter, for a moment. She's the main one thinking of doing the miracle. She's the main one seeking to get herself into sticky situations. Since Cassie's enter into town and she's attempting to take Adam, based on Faye, and today Cassie's attempting to take Mike from her, and Cassie's got these individual forces within the circle. It's a little of the threat and Faye does not fully realize how to approach it. Mike can also be around the lake house trip. May be the coven ever likely to uncover what he's really as much as using the witch predators? Clearly Cassie can't trust him, same with she just blinded by some kind of attraction to him? Robertson: There is the attraction factor, but mostly it is simply he appears to become well-informed. He appears to understand about this dark miracle and he's the main one prepared to let her know or help her by using it. She needs him at this time like a friend, but in addition to that, he's somebody that might help her through this new journey that she's on. Using that, she clearly becomes drawn to him because he's a great-searching guy, he's great together with her, they have fun together, yada, yada, yada. She's blinded. However the coven does not stay naive for lengthy. They'll find what he's as much as earlier than later. Can The Key Circle's new bad boy go good? Cassie unintentionally broke Adam and Diana up. What's going to we have seen for your love triangular? Robertson: This is an ongoing love triangular. It is a narrative that'll be pulled out before the finish of your time. The connection between Diana and Cassie is one thing that Cassie values above all else, a lot more than this crazy feeling towards Adam. Before the Adam-Diana factor completely fades away, or until it become something that's not a menace to Cassie's and Diana's relationship or friendship, I do not think you will see a lot of Cassie and Adam. Though, you will see a couple of things in some places which will hint otherwise. The Key Circle airs Thursdays at 9/8c around the CW.